Etra Fine Art Design District Basel/Miami Art Week 2012 Winter Group Show
December 8, 2012 to January 11, 2013
Etra Fine Art
50 NE 40 St.
Miami, FL 33137
305.438.4383
www.etrafineart.com

Opening Reception: Saturday, December 8, 2012 7:00 to 10:00 p.m. (Free)
Gallery Hours: Tuesday to Saturday, 10:00 a.m. to 6:00 p.m. Other hours available by appointment.
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As part of Art Basel 2012 and Miami Art Week, Etra Fine Art in Miami’s Design District, presents a “Winter Group Show” exhibiting the works of:  Rainer Lagemann, Christian Awe, Douglass Freed, Hunt Slonem, and Mario Velez.  The Opening Reception takes place on Saturday, December 8, 2012 from 7:00 to 10:00 p.m. and the exhibit runs through January 11, 2013.

Encapsulating the spirit of Miami, this exhibit represents a microcosm of the variety of art presented to us at the peak of art season. From the hollow, metal squares that Rainer Lagemann (Germany) uses to sculpt the human form – a framework of the spirit and image of the body; the “resurrection of color” that restores emotional drama to abstraction found in Christian Awe’s (Berlin) paintings; landscapes by Douglass Freed (US) who names his paintings “structures” where shapes are fitted together to create a coherent whole; works of internationally renowned American artist Hunt Slonem who experiments with a unique method of cross-hatching to texturize his works; and Colombian artist Mario Velez, a minimalist artist who has been greatly inspired by the Bauhaus approach to design. This group show is a schema of all that the city has to offer in its unique, cultural diversity.

“As part of the Miami art fair season, we want to attract a wide and chosen audience,” comments Stefano Campanini, owner of Etra Fine Art.  “The show characterizes our evolving and dynamic city.”

About the Artists Presented:
Rainer Lagemann was born in Düsseldorf, Germany on September 14th, 1959. Studies and practice in interior design and welding began in Berkeley, California. Since 2008, he has resided and worked in Miami.  Rainer is fascinated by the human body, the classic theme of artistic expression and struggle, depicted in all shapes, materials and mediums since the existence of mankind. His sculpture captures the human body in motion–a freeze frame of classic, timeless gestures and emotions.  The sculptures are both ethereal and concrete.  The forms he creates are how one imagines a Nureyev or Baryshnikov would look in mid-flight.

Christian Awe began his painting career as an urban expressionist painter on the streets of Berlin in the early 90s. At the Berlin Universität der Künste he studied under Georg Baselitz and received his “Meisterschüler“ in 2006 under Daniel Richter.  As artist-in-residence at Princeton University, Awe taught experimental painting in Princeton in 2011. This year, he serves as Board Member for  “The Young Mesopotamians“ who mentors and teaches young Iraqi artists at Baghdad University’s College of Fine Arts.  Awes paintings oscillate between figuration and abstraction and astound with expressive color. He employs spray paint and acrylics, ink and watercolors, markers and oil pastels. Through scraping, ripping or even digging out entire chunks of color, he exposes hidden layers resting beneath, allowing them to resurface as poetic pictorial spaces.

Douglass Freed’s undergraduate and graduate degrees are from Fort Hays State University. He is represented by galleries in New York City, Boston, Miami, Chicago, San Francisco, Houston, Charleston, St. Louis and Kansas City.  Freed was the Director of the Daum Museum of Contemporary Art at State Fair Community College until his retirement in February, 2008 and helped build the Daum Museum collection from 200 objects to over 800 since its opening.  For nearly twenty years, he has made non-objective grid structured paintings. He has literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels where one panel is landscape imagery and adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.

Hunt Slonem – Since 1977, Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. More than 100 museums include his work in their collections, among them the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art in New York City. He has been commissioned to paint large-scale murals for the Bryant Park Grill, New York City and the former World Trade Center, NYC.  He is recipient of the prestigious “Stars of Design” award, the Greenshields Foundation award, and the National Endowment for the Arts Grant in 1991.  He studied painting at Skowhegan School of Painting & Sculpture in Skowhegan, Maine and Vanderbilt University in Nashville, TN. For years, Slonem has been experimenting with a unique method of texturizing his works where he scrapes through multiple layers of wet paint using the whittled end of a paint brush handle. He describes it as a feeling of tapestry like weaving where he makes colors bleed into each other allowing light to come through so one can see five levels of paint, instead of one.

Mario Velez lives and works in Medellin, Colombia. He received his Bachelors of Arts degree at the National University of Colombia and Masters at the Hochschule der Künstein in Berlin. His work has been exhibited in solo and group shows in New York, Miami, California, Panama, Colombia, Japan, Austria Switzerland, Italy, Mexico, and Germany. His commissioned work includes corporate and public collections such as Inter-American Development Bank, Washington D.C.; Bloomingdales, New York; Ritz Carlton, Bangalore, India;  Museum of Latin American Art, Los Angeles, CA; Museo de Arte Moderno, Medellin, Colombia; and Galleria Armory-Arte Contemporanea, Perugia, Italy. Velez’ work both identifies and emancipates itself from two of the most identifiable characteristics of 20th century abstract art — one part structural geometric, austere — the other emotional, intuitive and organic. His work has been described as, “simplified geometric forms and the fine lines that traverse them creating an autonomous world that moves in a field created by the [works] themselves.”

Etra Courtesy Photo: Rainer Lagemann "Mila" 18 x 8 x 28"

Primary Projects Presents Raneytown, A Solo Exhibit And Fashion Collaboration With Madewell By Rebeca Raney
Raneytown by Rebeca Raney
Opening Reception: Thursday, December 6, 7 – 10 p.m.
Gallery Hours: December 6 – 9, 10 a.m. – 6 p.m.
Primary Projects Gallery
4141 NE 2nd Avenue, Suite 104
Miami Design District, FL 33138
www.rebecaraney.com
www.primaryflight.com
www.primaryprojectspace.com .

Primary Projects announces its December exhibition program, launching contemporaneously with Art Basel Miami Beach 2012 during one of the most important art weeks in the country.  In a two-part, two-venue initiative, curators Books IIII Bischof, Chris Oh and Typoe present Raneytown, a solo exhibit by Rebeca Raney that will metamorphose Primary Projects gallery into a rainbow-coated site.  With drawings and sculpture, this show also comprises a pop-up boutique unveiling Raney’s first collection produced in collaboration with Madewell.  By contrast, the Wynwood satellite space, Asif’s Guns by Asif Farooq, aims to simulate a gun shop with more than 300 firearms handcrafted from cardboard.  Designed to illicit disparate impulses, Raneytown and Asif’s Guns will take viewers on an emotional rollercoaster.

Raneytown is a transformative, joyful show by Miami native, New York-based artist Rebeca Raney.   With a world depicted in more than 250 ink and gouache drawings and works on panel, present in the artist’s playful imagery of hybrid animals, flora and fantastical people is the compelling wish for her two-dimensional drawings to come to life. Raney’s earnest conviction that the characters which inhabit her drawings must exist “in the flesh” has yielded a populace of sculptures that cavort, take baths, and suspend from the ceiling in booby-traps of their own making.  A looming 10-foot “Plant Person” will preside over the havoc.

In a special collaboration with Madewell, Raney’s imagery will also debut in a limited edition fashion collection at Primary Projects, and at Madewell stores in Miami, New York and Los Angeles. Raney’s signature backwards-facing llamas and intricate floral elements provide the inspiration for a luxurious cashmere sweater, pendant necklace, silk top, scarf and custom leather transport tote.  Dubbed “Boutique by Raneytown,” the gallery’s pop-up will feature the complete Rebeca Raney x Madewell collection, along with treasures including bronze figurines, hand-painted paper rocks, letterpress stationary and more, ranging from $20 – $900.