Disney’s Beauty And The Beast
December 28, 2010 – January 2, 2011
Ziff Ballet Opera House Adrienne Arsht Center
1300 Biscayne Boulevard, Miami, FL 33132
www.BeautyAndTheBeastOnTour.com
Tickets start at $25
For reservations, visit www.arshtcenter.org or call the box office at (305) 949-6722.
Disney’s Beauty And The Beast, the award-winning worldwide smash hit Broadway musical, is coming to Miami as part of the Broadway In Miami 2010-2011 season, presented by the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, Broadway Across America–Miami and presenting sponsor Bank of America. Produced by NETworks Presentations, this elaborate theatrical production will come to life on the stage of the Sanford and Dolores Ziff Ballet Opera House at the Adrienne Arsht Center from December 28, 2010 to January 2, 2011, with a special New Year’s Eve performance on December 30 at 6:30 p.m.
Disney’s Beauty And The Beast features an Academy Award®-winning score with music by Alan Menken and lyrics by the late Howard Ashman, with additional songs with music by Alan Menken and lyrics by Tim Rice. The beloved score, made famous by the animated film which celebrates its 20th anniversary this year, features classic tunes including “Be Our Guest,†“Gaston,†and the timeless title track theme song. The book is written by Linda Woolverton.
“We invite Miami’s young and young at heart to join us for an inspiring holiday season at the Adrienne Arsht Center,†said M. John Richard, president and CEO of the Adrienne Arsht Center. “Beauty and the Beast is a timeless show that provides South Florida with a great opportunity to share in the wonder of live theater and create magical memories that will last for a lifetime.â€
The original creators of the Broadway show join forces again for this new touring production! The play is directed by Rob Roth and choreographed by Matt West, with Costume Design by Ann Hould-Ward (Tony Award® winner for her work on Disney’s Beauty and the Beast), Lighting Design by Natasha Katz, Scenic Design by Stanley A. Meyer, Sound Design by John Petrafesa Jr. and Music Supervision by Michael Kosarin.
Says Director Rob Roth: “It has been wonderful to bring the entire original design team back together to work on this new production of Beauty and the Beast. We have remained very close as a team over the years of producing the show around the world, and it has been so much fun getting together to re-explore and re-invent the show for this new NETworks tour. The theme of ‘Beauty’ is about seeing past the exterior into the heart of someone, and this is reflected in the design for the show, which is about transparency and layers, seeing past one thing and into another.â€
Disney’s Beauty And The Beast tells the classic story of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped in a spell placed by an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed to his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.
Disney’s Beauty And The Beast has become an international sensation that has played to more than 35 million people worldwide in 21 countries. Prices, artists, dates, times, and program are subject to change without notice.
Now celebrating its Fifth Anniversary Season, the Adrienne Arsht Center for the Performing Arts of Miami-Dade County is one of the world’s leading performing arts organizations and venues. Made possible by Miami-Dade County’s largest ever public/private-sector partnership, the Center is home to the Florida Grand Opera, Miami City Ballet and New World Symphony, America’s Orchestral Academy. In addition, numerous South Florida arts organizations perform in its theaters regularly. Since opening in 2006, the Center has emerged as a leader in offering and presenting innovative programming that mirrors South Florida’s diversity, as a catalyst for development in Miami, and as a host of impactful community outreach and education programs.
Designed by world-renowned architect Cesar Pelli of Pelli Clarke Pelli Architects, the venue is comprised of the 2,400- seat Sanford and Dolores Ziff Ballet Opera House, the 2,200-seat John S. and James L. Knight Concert Hall, the black box Carnival Studio Theater, a restored Carnival Tower, the Peacock Foundation, Inc. Studio, the Peacock Foundation, Inc. Education Center and the outdoor Parker and Vann Thomson Plaza for the Arts. The Carnival Tower, an architectural icon and one of Miami’s oldest Art Deco buildings, houses the street-level BOMBAY SAPPHIRE® Lounge. Events impresario and restaurateur Barton G. Weiss brought his signature style to the Center in 2009 with PRELUDE BY BARTON G, a full-service upscale restaurant. Visit www.arshtcenter.org for more information.
Owned and operated by British theatre producer John Gore (CEO) and entertainment industry veteran Thomas B. McGrath (Chairman), Broadway Across America presents first-class touring Broadway musicals and plays, family productions and other live events throughout a network of over 40 North American cities. Broadway Across America is also dedicated to the development and production of new and diverse live theatre for productions on Broadway, across America and throughout the world. Broadway Across America most recently produced Irving Berlin’s WHITE CHRISTMAS on Broadway, while current and upcoming productions include WEST SIDE STORY and PROMISES, PROMISES. Broadway tours include DORA THE EXPLORER, FROST/NIXON, SPAMALOT, CHITTY CHITTY BANG BANG and FIDDLER ON THE ROOF. For more information or to purchase tickets through an authorized agent go to BroadwayAcrossAmerica.com.
Broadway Across America–Miami is presented in arrangement with Florida Theatrical Association, a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality national touring Broadway productions in the state of Florida.
Bank of America is one of the world’s largest financial institutions, serving individual consumers, small- and middle- market businesses and large corporations with a full range of banking, investing, asset management and other financial and risk management products and services. The company provides unmatched convenience in the United States, serving approximately 57 million consumer and small business relationships with 5,900 retail banking offices, more than 18,000 ATMs and award-winning online banking with 29 million active users. Bank of America is among the world’s leading wealth management companies and is a global leader in corporate and investment banking and trading across a broad range of asset classes, serving corporations, governments, institutions and individuals around the world. Bank of America offers industry-leading support to approximately 4 million small business owners through a suite of innovative, easy-to-use online products and services. The company serves clients through operations in more than 40 countries. Bank of America Corporation stock (NYSE: BAC) is a component of the Dow Jones Industrial Average and is listed on the New York Stock Exchange.
Bank of America Corporate Philanthropy Building on a long-standing tradition of investing in the communities it serves, last year Bank of America embarked on a new, 10-year goal to donate $2 billion to nonprofit organizations engaged in improving the health and vitality of their neighborhoods. Funded by Bank of America, the Bank of America Charitable Foundation gave more than $200 million in 2009, making the bank one of the largest corporate cash donors in the United States. Bank of America approaches investing through a national strategy under which it works with local leaders to identify and meet the most pressing needs of individual communities. Reaffirming a commitment to develop and sustain a culture of service, the bank announced the “Million Hour Challenge,†a pledge by the company’s associates around the world to donate 1 million volunteer hours by the end of 2010. In 2009, bank associate volunteers contributed more than 800,000 hours to enhance the quality of life in their communities nationwide. For more information about Bank of America Corporate Philanthropy, please visit www.bankofamerica.com/foundation.
Biographies
Alan Menken’s stage musicals include (in chronological order) God Bless You Mr. Rosewater, Atina: Evil Queen of the Galaxy, Little Shop of Horrors, The Dream on Royal Street, Kicks: The Showgirl Musical, The Apprenticeship of Duddy Kravitz, Beauty and the Beast, A Christmas Carol, Weird Romance, King David, Der Glockner von Notre Dame, The Little Mermaid and Sister Act. His film musicals include Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, Aladdin, Newsies, Pocahontas, The Hunchback of Notre Dame, Hercules, Home on the Range, A Christmas Carol and Enchanted.
He has won more Academy Awards than any other living individual, including 4 Oscars for Best Score (The Little Mermaid, Beauty and the Beast, Aladdin and Pocahontas) and 4 Oscars for best song (“Under the Sea,†“Beauty and the Beast,†“A Whole New World†and “Colors of the Windâ€). In addition, he has been nominated 18 times, including Best Song nominations for “Mean Green Mother From Outer Space,†“Kiss the Girl,†“Belle,†“Be Our Guest,†“Friend Like Me,†“Go the Distance,†“Happy Working Song,†“So Close†and “That’s How You Know,†plus a Best Score nomination for The Hunchback of Notre Dame. He has won 10 Grammy Awards (including Song of the Year for “A Whole New Worldâ€), 7 Golden Globes, London’s Evening Standard Award, the Olivier Award and the Outer Critics Circle Award.
Other notable achievements include Billboard’s number one single (“A Whole New Worldâ€) and number one album (Pocahontas), an honorary doctorate in fine arts from New York University and induction into the Songwriters Hall of Fame. Alan’s upcoming stage and film projects include a new stage musical of Leap of Faith (opening on Broadway in the fall of ’10), a stage adaptation of Newsies and a new Disney animated musical, Rapunzel (slated for release holiday season of ’10).
Howard Ashman conceived, wrote and directed Little Shop of Horrors, based on Roger Corman’s 1960-era horror flick and with music by Alan Menken. Little Shop played for five years off-Broadway at the Orpheum Theater. The show continues to be produced to great acclaim in the US as well as internationally. In 2003, Little Shop was revived on Broadway and in 2007 it was revived on the West End. It is currently one of the most produced shows in American High Schools.
In 1986, Ashman wrote and directed the Broadway musical, Smile, music by Marvin Hamlisch. Little appreciated at the time, Smile is now considered a lost gem of musical theater and is performed by high school students around the US.
Turning his talents toward film, Ashman was pivotal in the renaissance of Disney animated musicals and in the development of Disney’s The Little Mermaid (Producer and Lyrics), Beauty and the Beast (Executive Producer and Lyrics) and Aladdin (Lyrics), all with music by Alan Menken. Ashman’s contributions to the revival of classic Disney animated musicals were perhaps best expressed by the dedication to the film Beauty and the Beast: “To our friend Howard, who gave a mermaid her voice and a beast his soul. He will be forever missed.â€
Ashman’s numerous awards include two Oscars, two Golden Globes, four Grammys, a Drama Desk and a London Evening Standard. He died in 1991 at age 40 from complications arising from AIDS. Ashman Sings Ashman, a CD of his work, with never-before-heard demos, including those from Smile, is available from PS Classics. Ashman’s papers are in the permanent collection of the Library of Congress.
Tim Rice (Sir Tim to you) has been writing lyrics for musical theatre and related enterprises for over forty years, something he only intended to do for a few months while waiting to become a pop star. The waiting has been extended, mainly because of the world’s failure to accept him as a rock god, but also because of the distracting success of Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita with Andrew Lloyd Webber, Aladdin, King David and Beauty and the Beast with Alan Menken, Chess with Bjorn Ulvaeus and Benny Andersson, and The Lion King and Aida with Elton John. He is well known in England, his home country, for his love of cricket and as a tolerable radio and television personality. He has won numerous awards along the way, including Oscars, Tonys and life-saving badges, but often for the wrong thing and often for simply turning up. He is currently working with Alan Menken on songs for a new film version of Beauty and the Beast, on a musical play about Machiavelli, and is plugging the recently released DVD and album of Chess in Concert starring Josh Groban, Idina Menzel and Adam Pascal. More gripping info can be found on www.timrice.co.uk but please don’t feel obliged to go there.
Linda Woolverton’s writing credits include the screenplay for the animated feature film Beauty and the Beast (Golden Globe winner and Academy Award Best Picture nominee); the screenplay (shared) for Homeward Bound: The Incredible Journey; screenplay (shared) for the animated feature film The Lion King; the book for the Broadway musical Beauty and the Beast (Tony Award nomination for Best Book of a Musical, winner 1998 Olivier Award Best New Musical); and book (shared) for Elton John and Tim Rice’s Broadway musical Aida. Also she has written two young-adult novels, Star-Wind and Running Before the Wind. She holds a Bachelor’s degree in Theatre Arts from California State University Long Beach and a Master’s degree in Theatre from California State University Fullerton. Linda is currently involved in writing and producing film projects for Miramax and Revolution studios. She lives in Los Angeles with her husband Lee Flicker and daughter Keaton.
Rob Roth (Director) was nominated for a Tony Award for his direction of the original Broadway production of Disney’s Beauty and the Beast. The show has won many awards throughout the world, including the Olivier Award for Best Musical in London. Rob directed the world premiere of Elaborate Lives – The Legend of Aida collaborating with Sirs Elton John and Tim Rice. Rob directed the Broadway production of Lestat, based on works of Anne Rice, with music and lyrics by Elton John and Bernie Taupin. Rob also directs rock and roll tours, collaborating with Steve Miller, Alice Cooper, Cyndi Lauper and others. A book featuring Rob’s extensive collection of rock graphics, The Art of Classic Rock, will be published this year by Carlton UK Books. Rob lives in New York City with his black lab Dash Rip Rock.
Matt West (Choreographer) For Disney’s Beauty and the Beast, Matt received the L.A. Drama-Logue Award. Matt also received London’s Olivier, New York’s Drama Desk and Outer Critics’ Circle award nominations for Beauty. Other Broadway: Lestat. Off-Broadway: Mimi LeDuck Starring Eartha Kitt. Matt choreographed the premiere of Elton John and Tim Rice’s Elaborate Lives at the Allience Theatre. Also: Little Shop of Horros, Buenos Aires; The Wanderer, Tokyo’s Parko Theatre; The Little Mermaid and Peter Pan for Disney Home Video and The Nutcracker for the Disney Channel. Film: Bobby in A Chorus Line. Matt is currently working on World of Color for Disney’s California Adventure and Fantasmic for Tokyo Disneyland. Matt dedicates this Production to his Parents.
Ann Hould-Ward (Costume Design) Broadway: A Catered Affair (Drama Desk nomination); Company; Dance of the Vampires; Beauty and the Beast (Tony Award; American Theatre Wing’s Design Award; Ovation Award; Oliver nomination, Best Costume Design); Into the Woods (Tony, Drama Desk nominations; Outer Critics Circle nomination, L.A. Drama Critics Circle Award); Falsettos; Sunday in the Park with George (Tony, Drama Desk Nominations); Harrigan ‘N’ Heart; Dream; St. Joan; Three Men on a Horse; Timon of Athens; In the Summer House; Little Me; The Moliere Comedies; House Arrest, Hamlet, Road Show (Public Theatre). Off-Broadway: Surviving Grace, Lobster Alice, Cymbeline. Film: Strike!, Miramax. Other credits: Ringling Bros. and Barnum & Bailey Circus, The Most Happy Fella (New York City Opera), Graciela Daniele (Ballet Hispanico), Lar Lubovitch (the White Oak Project), American Ballet Theatre (Othello, Artemis and Meadow).
Natasha Katz (Lighting Design) Broadway credits include: The Little Mermaid, The Coast of Utopia/Salvage (Tony Award 2007), A Chorus Line (Adapted from original design) The 25th Annual Spelling Bee, Tarzan, Aida (Tony Award 2000), Sweet Smell of Success, Twelfth Night, Beauty and the Beast, The Capeman, Gypsy, Barrymore, and Pack of Lies. Other designs: Sister Act on the West End, Buried Child for The National Theatre in London, Cyrano for the The Metropolitan Opera, Tryst for the Royal Ballet in London, Carnival of the Animals for New York City Ballet, Swan Lake at the Edinburgh Festival, Don Quixote for American Ballet Theatre, concert acts for Shirley MacLaine, Ann-Margret and Tommy Tune. Ms. Katz has designed many Off-Broadway (current: Altar Boyz) and American regional productions.
Stanley A. Meyer (Scenic Designer/ Production Designer) is the recipient of an American Theatre Wing Design Award nomination, New York Outer Critics Circle Award nomination, 2002 National Broadway Theatre Award nomination, Los Angeles Ovation Award Nomination, Los Angeles Drama Logue Award for his scenic design work on the acclaimed international success, Disney’s Beauty and the Beast. He is also proud to be honored as the first recipient of The League of American Theatres and Producers 2001, National Broadway Theatre Award for his design of the North America Tour of Disney’s Beauty and the Beast. Other designs include Little Shop of Horrors, Alejandro Romay Theatrical Productions (Buenos Aires); the world premieres of Joe Bard’s Zoz! The Bard of Dublin Liberties and Elton John & Tim Rice’s Elaborate Lives: The legend of Aida (Alliance Theatre); Regional productions: In Trousers; March of the Falsettos; Titanic; A Day in Hollywood, A Night in the Ukraine; Marry me a Little; The Marriage of Bette and Boo and Cloud 9 (Nat Horne Theatre); The Everafters and Festival of One Act Plays (Manhattan Punchline Theatre); The Secret Garden (Theatre Works, USA); The Merry Wives of Windsor (LA Drama Logue Award), King Lear, The Comedy of Errors (LA Drama Logue Award), A Midsummer Night’s Dream, The Two Gentlemen of Verona (LA Drama Logue Award), Southern California Grove Shakespeare festival.
John Petrafesa, Jr (Sound Designer) was the production sound engineer and/or associate sound designer for numerous productions of Disney’s Beauty and the Beast including, Broadway, Los Angeles, Toronto, US National Tours II & III and the UK National Tour. Other theatrical design and engineering credits include: The Music Man (Broadway), Guys and Dolls (National Tour) and Les Misérables (Broadway and National Tour). John is a director with Syntonic Design Group in New York, Orlando and Las Vegas, where he focuses on sound system design for theatre, live music and special events.
Michael Kosarin (Music Supervisor/Incidental Music Arrangements) has worked steadily on Broadway for over 25 years, and has been composer Alan Menken’s music director for over 15. Original music director/incidental music arranger, Broadway production of Disney’s Beauty and the Beast. Original Broadway: Nine, Grand Hotel, Secret Garden, King David, Mayor, A Chorus Line, Triumph of Love, Little Shop of Horrors, Can-Can (Encores!), Hunchback of Notre Dame (Berlin), Sister Act (London). Film: Enchanted, Pocohontas, Hercules, Home On The Range, many others. TV: 2005 Emmy Award Outstanding Music Direction for work on musical film A Christmas Carol, Once Upon A Mattress, The Music Man (Emmy nomination). Recording/concert work: Long-time collaborations with Carly Simon (gold album/HBO special “My Romanceâ€), Barbara Cook (concert engagements, produced/arranged album “Tributeâ€). Composer: TV’s “Wonder Pets,†“Johnny and the Sprites,†“Third and Bird.â€
NETworks Presentations, LLC (Producer) Founded in 1995 by Kenneth Gentry, Seth Wenig and Scott Jackson, NETworks has produced and managed over 70 national and international touring productions. Previous productions include Oliver!, Little Women starring Maureen McGovern, Jekyll & Hyde, Kiss of the Spiderwoman, Cinderella starring Eartha Kitt and Deborah Gibson, Fosse starring Ben Vereen and Ruthie Henshall, The Light in the Piazza, My Fair Lady co- produced with Cameron Mackintosh, Rodgers and Hammerstein’s Oklahoma, Matthew Bourne’s Swan Lake, Sweeney Todd, The Demon Baber of Fleet Street, among many others. Joining returning hits Annie, The Drowsy Chaperone, Hairspray and The Wizard of Oz this season are Disney’s Beauty and the Beast, Young Frankenstein, and the Lincoln Center’s production of Rodgers and Hammerstein’s South Pacific. Future titles include Joyful Noise’s production of Handel’s Messiah Rocks, Spring Awakening and Les Misérables.
Photo Credit: Joan Marcus
Byron Carlyle Theatre
